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The Greatest Year in American Literature

  • Jul 25, 2013

Was 1929 the greatest year in American literature?  I think so.  1850-1855 had a run that’s still unmatched: The Scarlet Letter (1850), Moby-Dick (1851), Uncle Tom’s Cabin (1852), Walden (1854), and Leaves of Grass (1855). But we’re talking singular years, here.  1961 has a pretty good resume, too: Revolutionary Road, The Moviegoer, and Catch-22 were all up for the National Book Award that year (The Moviegoer won). But 1929’s got it beat.

 

Here’s the case for 1929:

 

Sound and Fury

  • The Sound and the Fury by William Faulkner

 

We have to start here.  This is one of the most innovative and important novels in all of American literature.  There was nothing like it before and little to compete with it since.  From the front flap of the dust jacket of the first edition:

 

The book suggests Joyce in its technique and the Russians—perhaps Dostoevsky—in its theme. Fundamentally it owes little to any individual or to any school: it stands alone as a unique and startling conception.

 

He is William Faulkner.  This is his masterpiece.

 

Farewell to Arms

  • A Farewell to Arms by Ernest Hemingway

 

Although Sun Also Rises came out three years before, this was Hemingway’s fullest novel to date and is the book that fortified his place among the masters of American fiction.  In the words of critic Cyril Connolly:

 

Its success was so enormous… After it one could no more imitate that musical crystal-clear style; blown like glass from the white-heat of violence.

 

For almost 20 years, Hemingway considered A Farewell to Arms his best book.  That’s good enough for me.

 

Look Homeward, Angel

 

  • Look Homeward, Angel by Thomas Wolfe

 

This was Wolfe’s debut novel, and it loudly announced his arrival on the literary scene.  Highly autobiographical and written in the stream-of-consciousness style, the book was very well received by readers, writers, and reviewers alike.  Hemingway remarked to Maxwell Perkins, the book’s editor, that it was “wonderful and unsurpassable.”  Wolfe would die of illness in 1938, at the age of 37.  He only published two major novels and one novella in his lifetime (the others are Of Time and the River, 1935; and The Lost Boy, 1937).  His works were heavy and controversial, but Wolfe’s place in American Literature is solidified almost entirely on his debut.

 

Cup of Gold

  • Cup of Gold by John Steinbeck

 

Poor Steinbeck.  This, his first novel, was published a mere two weeks before the Stock Market Crash of 1929.  Few of the 2476 copies printed in the first edition sold, and the book went more or less unnoticed commercially. (Steinbeck himself didn’t even own a first edition of it.)  By most accounts it is an average book and only gave a quick glimpse of the genius to come.  But Steinbeck was one of the giants of 20th century American literature and this was his debut novel.  That alone is significant.

 

Further Poems

  • Further Poems by Emily Dickinson

 

Dickinson’s name belongs on any shortlist of the greatest American poets.  Critic Harold Bloom placed her at the top, saying she “had the best mind of all our poets, early and late… Her originality is unmatched.”  When she died in 1886, only eleven of her poems had seen print, but she left some 1775 pages of manuscript poems. Three books were eventually published in 1890, 1891, and 1896 with selections from the pool of unpublished work.  Further Poems would follow suit, albeit 33 years later, with 150 previously unpublished poems.  150 “new” poems from (arguably) our greatest poet seeing print?  That has to count for something.

 

And don’t forget about these:

 

  • Dodsworth by Sinclair Lewis

One year later, in 1930, Lewis would become the first American to be awarded the Nobel Prize for Literature.  He turned it down.

 

  • Sartoris by William Faulkner

Yes, Faulkner remarkably published two books in 1929.  This is the first of his books to be set in the fictional Yoknapatawpha County.

 

  • Red Harvest by Dashiell Hammett

Hammett’s first novel and a cornerstone in the early American crime/noir genre.

 

Think there’s a more banner year in American literature than 1929?  Make your case!

Eric Pedersen

Eric Pedersen hails from the Midwest, where he studied 20th Century American History in college and 20th Century American Literature in graduate school. He began his bookselling life at Bauman Rare Books’ Las Vegas gallery in 2008 and currently works in the gallery in New York City. Other than Ben Franklin’s Autobiography (which he didn’t finish), he can’t remember the last book he read written before 1900. As those who know him are (sometimes painfully) aware, he does not need a reason to start talking about William Gaddis, Thomas Pynchon, Something Happened, Ernest Hemingway, Revolutionary Road, Cormac McCarthy, David Foster Wallace, or Kurt Vonnegut, and so on…

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Comments

9 Responses to “The Greatest Year in American Literature”

  • Matt says:

    First class I was just talking to my friend about Hemingways best book. I get an Email from you confirming what I would of said his best work was, Sprinkled with romance they say for the Red Cross nurse he fell in love with when he was an Ambulance driver during World War 1.

    • Eric Pedersen

      Eric Pedersen says:

      Thanks, Matt. I think Hemingway considered it his best until he wrote The Old Man and the Sea (1952). A pretty great book in its own right. I’d never heard the nickname Ernestoic before so I don’t know where it came from–it’s certainly accurate, though!

  • matt says:

    Ernest Hemingways nickname was Ernestoic who gave him this nickname his son or his first wife thanks Matt

  • Dana says:

    Oh boy. I gotta get reading. I will add some of these to my list. I like the early 50’s for for American literature, catcher in the rye, east of eden, nine stories, breakfast at Tiffany’s. We made our best cars during the 50’s too; See The U.S.A. In Your Chevrolet.

    • Eric Pedersen

      Eric Pedersen says:

      I love the 1950s, too, Dana, Catcher in the Rye is an all-time favorite of mine. Get reading, indeed, maybe start with A Farewell to Arms?. No Chevys in that book, though!

  • Joseph Muchachi says:

    Excellent article. Very compelling argument. Looking forward to more from you, Mr. Pedersen.

  • Jaq says:

    Red Harvest was ’29, too? Amazing year!

  • Aquaria says:

    1962 has to be in there:

    One Flew over the Cuckoo’s Next: Ken Kesey

    The Woman in the Dunes: Kobo Abe

    Wrinkle in Time: Madeline l’Engle

    One Day in the Life of Ivan Denisovich: Solzhenitsyn

    Travels with Charley: Steinbeck

    The Thin Red Line: James Jones

    A Clockwork Orange: Anthony Burgess

    Who’s Afraid of Virginia Woolf: Edward Albee

    Silent Spring: Rachel Carson

    The Reviers: Faulkner

    The Night in Lisbon: Erich Maria Remarque

    The Slave: Isaac Bashevis Singer

    Ship of Fools: Katherine Anne Porter

    Seven Days in May: Fletcher Knebel & Charles Bailey

    Eleven Kinds of Loneliness: Richard Yates

    Fail Safe Eugene Burdick & Harvey Wheeler

    Something Wicked This Way Comes: Ray Bradbury

    The Mirror Crack’d: Agatha Christie

    Another Country: James Baldwin

    King Rat: James Clavell

    And on the lighter/sentimental side:

    The Spy Who Loved Me: Ian Fleming

    Lilies of the Field: William Barrett

    Sex and the Single Girl: Helen Gurley Brown

    The Ipcress File: Len Deighton

    That’s a damned good year.

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