Capitalism Carries On First Edition - Walter B. Pitkin - Bauman Rare Books

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Bauman Rare Books

Capitalism Carries On

Walter B. PITKIN

Item#: 104756 We're sorry, this item has been sold

Capitalism Carries On

"CAPITALISM CANNOT EXIST IN A WORLD OF COMPLETE SCARCITY"

PITKIN, Walter B. Capitalism Carries On. New York and London: Whittlesey House, (1935). Octavo, original blue cloth, original dust jacket.

First edition of this work on the threats to capitalism from labor and business and the ways it may be saved.

"The author identifies the capitalist system with the middle class and expatiates on the danger lest this class be crushed between big business and the labor element" (Foreign Affairs)."Pitkin's books all sell… At first, one feels that it is distinctly reactionary, in the plea for sustaining capitalism, as an American method. But then he goes on to develop his thesis; Capitalism has weathered some storms, it is—in a modified form—better adapted to American set-up, it has a chance to put its house in order, to abandon the profit system, and to work with governmental regimentation toward a constructive rebuilding of the economic scheme. Based on pretty sound understanding of the psychology of the vast conservative public" (Kirkus).

Book fine, dust jacket near-fine with minor rubbing and slight soiling.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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