Les Déjeuners First Edition - Pablo Picasso - Bauman Rare Books

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Les Déjeuners

Pablo PICASSO

Item#: 114226 We're sorry, this item has been sold

Les Déjeuners

Les Déjeuners

Les Déjeuners

Les Déjeuners

Les Déjeuners

FOLIO FIRST EDITION OF PICASSO'S STUNNING SERIES, LES DEJEUNERS, 1962

PICASSO, Pablo. Les Déjeuners. (Paris): Editions Cercle d'Art, (1962). Folio, original white illustrated cloth, original glassine, original slipcase.

First trade edition in French of the drawings and paintings from Picasso's renowned series Les Déjeuners, with 93 drawings from five notebooks, 45 separate drawings, and 27 canvases.

"To say that Pablo Picasso dominated Western art in the 20th century is, by now, the merest commonplace" (Robert Hughes). This series was inspired by Edouard Manet's controversial masterpiece Déjeuner sur l'Herbe. In the preface, art critic and collector Douglas Cooper "traces the history of Picasso's 'meeting' with Manet, from the first drawings done at Vauvenargues in August, 1959, to those made at Notre Dame de Vie in Mougins in December of 1961. In these drawings, Picasso never depicts a precise scene; rather, he makes a series of more or less dramatic transformations of Manet's paintin, which Cooper divides into four phases" (Sebastian Goeppert). Introductory essay (in French) by Douglas Cooper. Published simultaneously with a deluxe edition of only 150 copies, with loose plates in portfolio. Text in French. Goeppert & Cramer 118.

Front inner paper hinge tender, binding sound. Plates fine, cloth clean and bright, wear to spine of original glassine (often not present), mild toning to slipcase. An excellent copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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