To Die for the People - First Edition - Signed - Huey P. Newton - Bauman Rare Books

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To Die for the People

Huey P. NEWTON

Item#: 120099 We're sorry, this item has been sold

To Die for the People

To Die for the People

To Die for the People

"MY OWN VOICE AND THE VOICE OF THE PEOPLE": FIRST EDITION OF TO DIE FOR THE PEOPLE, INSCRIBED BY BLACK PANTHER CO-FOUNDER HUEY P. NEWTON

NEWTON, Huey P. To Die for the People. The Writings of Huey P. Newton. New York: Random House, (1972). Octavo, original black cloth gilt, original dust jacket.

First edition of this early collection of writings by Newton, co-founder of the Black Panther Party, whose "flamboyance, vision and passion came to symbolize an entire era," boldly inscribed by him, "For R— my own voice and the voice of the People finding the clarity of our situation, From Huey," with 16 pages of illustrations, in original dust jacket.

Newton, who co-founded the Black Panther Party in 1966 with Bobby Seale, was "one of the most charismatic symbols of black anger in the late 1960s" (New York Times). Newton's "flamboyance, vision, and passion came to symbolize an entire era" (ANB). At news of his death in 1989, Seale recalled how the Party was formed. "'It came right out of Huey Newton's head,' he said. 'Huey was the theoretician. And I'm the one who stayed on Huey, egging him on to get something going'" (Washington Post). Their defining "Ten-Point Program," featured herein, demanded prison reform, "education that teaches us our true history," and called for the "end to police brutality." The Black Panther Party was early targeted by the FBI and J. Edgar Hoover, "who in 1968 declared that the Panthers were the number one threat to the internal security of the nation, and then set out to devastate them in a series of sudden raids" (Rolling Stone). "First Edition" stated on copyright page. With introductory essay by Franz Schurmann. Includes over 30 speeches, mandates, resolutions, eulogies and public statements, along with 16 pages of black-and-white photographic illustrations. Blockson 4198.

A fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Engraving Illustration produced by carving lines into a metal plate. This is an intaglio process, in which ink is poured over the plate, then wiped from the surface, leaving ink only in the recesses made by the engraver’s tools. The image is then transferred by pressing thick dampened paper against the metal plate with great force—requiring engravings to be printed on a separate stock and separate press from any text.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
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