Hadjin, and the Armenian Massacres First Edition - Rose Lambert - Bauman Rare Books

Hadjin, and the Armenian Massacres

Rose LAMBERT

Item#: 89984 We're sorry, this item has been sold

Hadjin, and the Armenian Massacres

“MANY CHRISTIAN VILLAGES WERE COMPLETELY WIPED OUT AND NOT ONE ARMENIAN LEFT ALIVE”: FIRST EDITION OF HADJIN, AND THE ARMENIAN MASSACRES, 1911

LAMBERT, Rose. Hadjin, and the Armenian Massacres. New York, Chicago, and Toronto: Fleming H. Revell, (1911). Octavo, original red cloth.

Scarce first edition of this powerful contemporary account of the beginnings of the Armenian genocide—the Adana Massacre—by a Christian missionary.

This brief but important book details the experiences of Rose Lambert, a well-liked Christian missionary living in Hadjin Turkey in the early 1900s. Here, she recounts the events leading up to the Adana Massacre, one of the first phases of the Armenian genocide as well as the massacre itself. In the years prior to the catastrophe, the Armenians were treated as inferior. Thus, when the Turkish government—installed after the Young Turk revolution—granted them equal rights, the Mohammedans became incensed. The early phases of Armenian genocide ensued, led by the Mohammedans and some elements of the Turkish military. The “true” genocide would follow in 1915. With half-tone portraits of Turks and Armenians mentioned in the narrative.

A very nearly fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
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Marginalia Handwritten notes made in the margins by a previous owner.
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Offset The unintended transfer of ink from one printed page to an adjacent page.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
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