ELEGANTLY BOUND, WITH 16 COLOR ETCHINGS BY LALAUZE AND AN ORIGINAL WATERCOLOR SIGNED BY THE ARTIST
BASTIDE, Jean-Francois. La Petite Maison. Paris: Librairie Henri Leclerc, 1905. Royal octavo, contemporary full light brown crushed morocco, boards gilt-decorated in Louis XV style, raised bands, green morocco doublures, frame-like ornamentation in same style with dark blue and pearl-gray inlays and gilt tooling, gray silk endpapers, marbled flyleaves, all edges gilt. Housed in custom chamois-lined marbled slipcase. $3000.
Deluxe limited illustrated edition, number 5 of only 150 copies, with 16 delicate color etchings (in double suite) and an original signed watercolor, all by renowned French illustrator Adolphe Lalauze. Beautifully bound by Chambolle Duru.
Combining fictional narrative with observations on art and architecture, La Petite Maison is the story of a woman who mistakes good taste for good intentions in a country house outside of Paris. Each etching is accompanied by a color proof, and a separate suite of the etchings is bound in at the rear. “It was in France that the [late nineteenth century] revival of etching was the most fruitful. Adolphe Lalauze… is among the most prominent of the etchers who must be remembered for their illustrated books. Also in France, there developed the custom of issuing éditions de luxe for limited circulation with sets of etched illustrations in two or more states” (Harthan, The History of the Illustrated Book, 228). “Superb bindings of this sort were executed in such quantity that they came to be largely disregarded during the decades when books of the Belle Epoque were out of favor… books so bound have increased in price by several hundred percent [since 1970]. Yet it may be argued that they are still substantially undervalued when compared with bindings of other eras” (Ray, The Art of the French Illustrated Book, 376-77). With original paper wrappers and spine bound in. Text in French.
Expert repair to a rear signature. An elegant production in fine condition.