Map of Huntington both Shire and Shire Towne - John Speed - Bauman Rare Books

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Map of Huntington both Shire and Shire Towne

John SPEED

Item#: 12781 We're sorry, this item has been sold

Map of Huntington both Shire and Shire Towne

SUPERB HAND-COLORED SPEED MAP, 1610

SPEED, John. Map of Huntington both Shire and Shire Towne with the Ancient Citie of Ely Described. [London]: Performed by John Speed, 1610. Map measures 20 by 15 inches; entire piece measuring 29 inches by 23 inches.

Elaborate 1610 hand-colored Speed map of Huntington, from his landmark Theatre of the Empire of Great Britaine.

With inset plans of Huntington and Ely, coats-of-arms of local families, and engraved figures in contemporary dress. "Tailor and amateur historian John Speed scored an immediate and durable success as a mapmaker with his county atlas, the Theatre of the Empire of Great Britain" (Crowell 96). "`I have put my sickle into other men's corne,' admitted Speed in a charming disclaimer… The information on his maps came largely from his predecessor Christopher Saxton, while responsibility for their overall design rested with (Jodocus) Hondius" (Abbeville, 76). Speed's journeys through England resulted in a number of original features on his maps: the inset plans of "Shire-townes and Cities," and the internal divisions of counties . "The chief attraction of his maps lies in their ornamentation, which consists of a great variety of conventionalized detail, such as, plans of cities, villages, hundreds, parks, moors, rivers, pictorial drawings of hills, figures with contemporary costumes, ornamental lettering, decorated borders and cartouches, coats of arms of prominent local families, etc." (Cox III: 577).

Fine condition, handsomely framed.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Engraving Illustration produced by carving lines into a metal plate. This is an intaglio process, in which ink is poured over the plate, then wiped from the surface, leaving ink only in the recesses made by the engraver’s tools. The image is then transferred by pressing thick dampened paper against the metal plate with great force—requiring engravings to be printed on a separate stock and separate press from any text.
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Half Title Leaf preceding the title page that bears the book’s title, originally used to identify the unbound text block. The book’s binder would often remove and discard the half title at the time of binding. Remaining half-titles are therefore of interest to collectors.
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Incunable From the cradle of printing, i.e., any book printed before 1501.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
Lithograph Illustration produced by transferring an image drawn on a carefully prepared stone to paper. The process allowed illustrations to more closely resemble the original drawings, paintings or sketches, as it gave the lithographer a freedom of line impossible to achieve in earlier intaglio and relief processes. It does not require the same sort of pressure as an engraving to transfer the image, but still has to be printed on separate stock from the text
Marginalia Handwritten notes made in the margins by a previous owner.
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Period-Style binding executed with materials, tools and techniques to approximate the look of a contemporary binding from the period of the book’s publication. The term implies that the binding is modern, or recent, unless otherwise specified.
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Uncut When the edges of the text block (most apparent at the fore and lower edges) have not been trimmed to a uniform size, and are therefore characterized by a ragged or deckle edge. A book may be uncut but opened—i.e., with a paper-knife—but all unopened books (see below) are by nature uncut as well.
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