Poems First Edition - Gerard Manley Hopkins - Bauman Rare Books

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Bauman Rare Books

Poems

Gerard Manley HOPKINS | Robert BRIDGES

Item#: 119864 We're sorry, this item has been sold

Poems

"I CAUGHT THIS MORNING MORNING'S MINION": RARE FIRST EDITION OF HOPKINS' POEMS, AN UNCUT AND UNOPENED COPY

HOPKINS, Gerard Manley. Poems of Gerard Manley Hopkins, Now First Published. Edited with Notes by Robert Bridges. London: Humphrey Milford, (1918). Small octavo, original half raw linen, pale blue boards, uncut and unopened. Housed in custom cloth clamshell box.

Rare first edition, one of only 750 copies, containing the first appearances of many of Hopkins' poems, with two photogravure portraits and two double-page facsimiles.

Written in the 1870s and 1880s, "these extraordinary poems… took time to circulate and influenced the poets of the 'thirties… Hopkins's poetry with its religious faith, his experiments in versification, his 'dark night of the soul' would have reduced all his Victorian contemporaries to immediate insignificance— like Rimbaud's in France— had they but known of him" (Connolly, The Modern Movement, 33). Hopkins, widely considered the first modern poet, remained largely unappreciated in his lifetime. After converting to Catholicism from the Church of England, he entered the Jesuit order and resolved "to write no more." Seven years later, when a shipwreck claimed the lives of five Franciscan nuns, Hopkins' rector requested a poem in their honor. "The Wreck of the Deutschland" reversed Hopkins' self-imposed silence. Other equally startling poems followed. After his death in 1889, his friend, the Poet Laureate Robert Bridges, began to publish a few of the poems individually, and in 1918, edited and published this first collected edition. Without very scarce dust jacket.

Interior generally fine, only mild toning to extremities, slight rubbing to spine label. A beautiful about-fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
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