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1-800-99-BAUMAN

Landscapes for the Homeless 1988-1991

Anthony HERNANDEZ

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Item#: 59780 price:$500.00

HERNANDEZ’S LANDSCAPES FOR THE HOMELESS, 1988-1991

HERNANDEZ, Anthony. Landscapes for the Homeless, 1988-1991. Hannover, Germany: Sprengel Museum, 1995. Quarto, original brown paper boards, original pictorial dust jacket. $500.

First edition, with 48 full-page color photographs.

“The intersection of the natural and the man-made is the subject of Anthony Hernandez’s photographs… In the series Landscapes of the Homeless, begun in 1988 and finished in 1991, he carefully documented the out of the way places the homeless retreated to… Hernandez is not out to artify his subject but rather to point out the inherent contradictions within the urban environment… The resulting pictures document not only the ingenuity of the homeless but Hernandez’s sensitivity to their plight… The contrast between ‘one’s expectation of beauty and the reality of homelessness’ is central to the works’ impact” (Craig Krull Gallery). All text in English and German.

A fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
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Engraving Illustration produced by carving lines into a metal plate. This is an intaglio process, in which ink is poured over the plate, then wiped from the surface, leaving ink only in the recesses made by the engraver’s tools. The image is then transferred by pressing thick dampened paper against the metal plate with great force—requiring engravings to be printed on a separate stock and separate press from any text.
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Marginalia Handwritten notes made in the margins by a previous owner.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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