"I WOULD REMEMBER HIM FOREVER AS MY IMAGE OF A MAN"

FLEMING, Ian. The Spy Who Loved Me. London: Jonathan Cape, (1962). Octavo, original silver-stamped brown paper boards, red endpapers, original dust jacket. $3000.

First edition of Fleming's tenth Bond thriller—the author's unusual examination of his super-spy "from the other end of the gun barrel."

"A significant departure from usual," The Spy Who Loved Me, in which 007 appears only toward the end of the book, proved to be "the easiest thing [Fleming] had ever done" (Lycett, 381). As he had while composing From Russia, With Love (1957) and Thunderball (1961), the author again toyed with the idea of killing off his phenomenally popular super spy. Although the title page lists the book as being written by Ian Fleming with Vivienne Michel, the "coauthorship credit is a hoax: Vivienne Michel was the name of the wife of one of Fleming's golfing companions in Jamaica" (Biondi & Pickard, 47). Fleming "had become alarmed that his earlier thrillers, designed for an adult audience, were increasingly read in schools… where young people made a hero out of James Bond… He did not regard Bond as a heroic figure 'but only as an efficient professional in his job.' Therefore he had sought to write a 'cautionary tale' to put the record straight, particularly for his younger readers. Unable to do this in his usual narrative style, he had invented a heroine 'through whom I could examine Bond from the other end of the gun barrel, so to speak'" (Lycett, 401-02). Without quad mark between "E" and "M" of "Fleming" on title page (no priority established). The 1977 film starring Roger Moore and Barbara Bach made use of the title and the steel-toothed gangster Horror (renamed Jaws for the movie) but—on Fleming's insistence—no other plot elements from the novel. Gilbert A10a (1.1).

Book with a bit of foxing to text block edge only, bright dust jacket with minor soiling to rear panel, slightest wear to spine head. A near-fine copy.