Nasty Bits - First Edition - Signed - Anthony Bourdain - Bauman Rare Books

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Nasty Bits

Anthony BOURDAIN

Item#: 118081 We're sorry, this item has been sold

Nasty Bits

Nasty Bits

"A TALE OF THE TRENCHES WHERE ENDS ALMOST ALWAYS JUSTIFY MEANS": FIRST EDITION OF THE NASTY BITS, INSCRIBED BY ANTHONY BOURDAIN

BOURDAIN, Anthony. The Nasty Bits. Collected Varietal Cuts, Usable Trim, Scraps, and Bones. (New York and London): Bloomsbury, (2006). Octavo, original black paper boards, original dust jacket.

First edition of a collection of over 30 select writings by Bourdain, together in book form for the first time, boldly inscribed on the title page by him in black felt pen, "To K— Anthony Bourdain."

In Nasty Bits, Bourdain brings together works from publications such as Gourmet Magazine, The New York Times and The New Yorker. "This is inspiring, band-of-brothers stuff, a tale of the trenches where ends almost always justify means… Bourdain is a vivid and witty writer, but his greatest gift is his ability to convey his passion for professional cooking—'this thing of ours,' he calls it, a touch melodramatically, in tribute to La Cosa Nostra. With one eye on the kitchen and the other on the dining room, he never loses sight of how the terrestrial inevitably informs the divine" (New York Times). By the time of his death in 2018, Bourdain had become "an icon of the modern American food world" (Geraci and Demers, Icons of American Cooking, 46-7). First edition, first printing: with "First U.S. Edition 2006" on copyright page; issued simultaneously with first English edition.

A fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
Lithograph Illustration produced by transferring an image drawn on a carefully prepared stone to paper. The process allowed illustrations to more closely resemble the original drawings, paintings or sketches, as it gave the lithographer a freedom of line impossible to achieve in earlier intaglio and relief processes. It does not require the same sort of pressure as an engraving to transfer the image, but still has to be printed on separate stock from the text
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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