Confidential Guide to Golf Courses First Edition - Tom Doak - Bauman Rare Books

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Confidential Guide to Golf Courses

Tom DOAK

Item#: 62802 We're sorry, this item has been sold

Confidential Guide to Golf Courses

“I MAY BE CRITICIZED AS AN OGRE BY THOSE WHO FEEL THAT THERE’S NO SUCH THING AS A BAD DAY ON THE GOLF COURSE…”

DOAK, Tom. The Confidential Guide to Golf Courses. (Chelsea, Michigan: Sleeping Bear Press, 1996). Quarto, original red paper boards, original dust jacket.

First trade edition of this scarce guide to golf courses.

Determined to offer a candid and comprehensive guide to the golf courses of the United States, Canada, Bermuda, Caribbean islands, Great Britain, Ireland, Continental Europe, South Africa, Japan, Australia, and New Zealand, Doak penned this highly informative work that ranks each region’s major golf courses on a tough ten-point scale and offers summaries of the courses’ attributes, both positive and negative. Additionally, the guide includes the indispensable Doak Gazetteer, featuring lists such as “Best Outbuildings,” “‘Dumb Blonde’ Awards-Pretty But Lacking Substance,” “Courses I’d Never Play Again,” “Unusual Hazards,” and “Best Lunch.” Preceded by a 1994 signed limited edition of 1000 copies with no photographs and substantially different text.

Slight rubbing to corners of dust jacket. A beautiful copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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