SLAVERY Rare Books and First Editions at Bauman Rare Books

SLAVERY

Found 22 books(s). Showing results 1 thru 22.

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"FREEDOM IS THE NATURAL RIGHT OF ALL MEN"

(SLAVERY). Constitution of the Abolition Society. No place, early 19th century.

Rare generic template of a broadside for an abolition society constitution, from the early days of their proliferation, with the original printer's registration nicks. $3500.

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"LEGISLATORS OF AMERICA, YOU ARE THE REAL UPHOLDERS OF SLAVERY… YOU IMMORTALIZE INJUSTICE"

SMITH, E[lihu].H[ubbard]. Discourse Delivered April 11, 1798… Promoting the Manumission of Slaves. New-York, 1798.

First edition of Smith's scathing attack on American slavery, declaring it a betrayal as "thousands of your fellow-beings, children of the same father and inheritors of the same destiny… writhe under the lash of cruelty," an exceptional 18th-century abolitionist work published barely ten years after ratification of the Constitution, exceedingly rare uncut in original wrappers. $3500.

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"THE ACCUMULATION OF HUMAN AGONY… THE CRUELTIES AND HORRORS OF THE PASSAGE ACROSS THE ATLANTIC"

(SLAVERY) BUXTON, Thomas Fowell. African Slave Trade. London, 1839.

First edition of British abolitionist Buxton's powerful call to abolish the slave trade by following the lead of William Wilberforce in calling for treaties and commerce between Britain and Africa, inscribed in a secretarial hand above the title page to the daughter of abolitionist Zachary Macaulay, "Miss F. Macaulay. From the Author," and sister of noted historian Thomas Macaulay, with the owner signature of Fanny Macaulay on the initial blank. $3200.

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“A LAVISH VOLUME… TIMED TO CELEBRATE THE ABOLITION OF THE SLAVE TRADE”

(SLAVERY—ABOLITION) MONTGOMERY, James, GRAHAME, James and BENGER, E[lizabeth]. Poems on the Abolition of the Slave Trade. London, 1809 [i.e. 1810].

First edition of famed publisher and artist Bowyer’s richly illustrated volume featuring eloquent anti-slavery poems by Montgomery, Grahame and Benger, a major antislavery work issued shortly after Britain’s abolition of the slave trade, with engraved portraits of abolitionists Sharpe, Clarkson and Wilberforce, engraved allegorical title page and nine full-page engravings after paintings by artist Sir Robert Smirke, a handsome wide-margined copy in contemporary boards. $2900.

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"THE WOMAN IS THE GIVER, THE WORLD FORCE OF ENERGY… YOU HAVE MADE ME UNABLE TO AVOID MOTHERHOOD, EVEN IF I WANTED TO"

EYLES, Margaret Leonora. Margaret Protests. London, 1919.

First edition of this early feminist novel, in rare original dust jacket. $2800.

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"THE VAST AMOUNT OF HUMAN SUFFERING AND THE WASTE OF HUMAN LIFE"

(SLAVERY) BUXTON, Thomas Fowell. African Slave Trade and its Remedy. London, 1840.

First expanded and revised edition of British abolitionist Buxton's powerful call for an end to the slave trade, the first to include his extensive and influential Remedy, two major works that followed the lead of Wilberforce in calling for treaties and commerce to end the slave trade, and outlined a way to "secure the regeneration of Africa through agricultural development," with large folding map, a handsome copy in original cloth. $2800.

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"THE ACCUMULATION OF HUMAN AGONY… THE CRUELTIES AND HORRORS OF THE PASSAGE ACROSS THE ATLANTIC"

(SLAVERY) BUXTON, Thomas Fowell. African Slave Trade. London, 1839.

First edition of British abolitionist Buxton's powerful call for an end to the slave trade by following the lead of William Wilberforce in calling for treaties and commerce to end the traffic in slavery, a handsome copy in contemporary calf. $2400.

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"A CLASSIC IN EMANCIPATIONIST LITERATURE"

CLARKSON, T[homas], Esq. Thoughts on… Slaves in the British Colonies. London, 1823.

First edition of Clarkson's powerful work in the fight to end slavery, arguing "if you put into one scale the gold and jewels of the Planters, you are bound to put into the other the liberty of 800,000 of the African race; for every man's liberty is his own property." $2200.

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"THE ABOLITION OF THE SLAVE TRADE WAS INDISPENSABLY REQUIRED… NOT ONLY BY RELIGION AND MORALITY, BUT BY EVERY PRINCIPLE OF SOUND POLICY"

(SLAVERY) (HOUSE OF COMMONS). The Debate on a Motion for the Abolition of the Slave-Trade. London, 1792.

Second and first edition, respectively, of these two important government publications regarding Britain's late 18th-century debate over abolishing the slave trade. $2200.

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"YOU ARE IN A FREE STATE, AND HAVE ONLY TO GO ASHORE TO BE FREE"

(SLAVERY) WILLIAMSON, Passmore. Case of Passmore Williamson. Philadelphia, 1856.

First edition of "the most complete record available" of the controversial Pennsylvania case on fugitive slaves, a core work establishing a precedent "in federal and state courts… and important cause célèbre for the antislavery movement," crucial in asserting a clear path for the following year's Dred Scott decision and provoking a "legal crisis… that led to the Civil War." $2200.

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“A LAVISH VOLUME… TIMED TO CELEBRATE THE ABOLITION OF THE SLAVE TRADE”

(SLAVERY—ABOLITION) MONTGOMERY, James, GRAHAME, James and BENGER, E[lizabeth]. Poems on the Abolition of the Slave Trade. London, 1809 [i.e. 1810].

Second edition, issued one year after the first, of famed publisher and artist Bowyer’s richly illustrated volume featuring eloquent anti-slavery poems by Montgomery, Grahame and Benger, a major antislavery work issued shortly after Britain’s abolition of the slave trade, with engraved portraits of abolitionists Sharpe, Clarkson and Wilberforce, engraved allegorical title page and nine full-page engravings after paintings by artist Sir Robert Smirke. A handsome wide-margined copy in contemporary calf covers. $2000.

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"IT IS NOT IN THE POWER OF HUMAN LAW TO MAKE MEN ENTIRELY FORGET THAT THE SLAVE IS A MAN"

(SLAVERY) (AMERICAN & FOREIGN ANTI-SLAVERY SOCIETY) (ANTI-SLAVERY EXAMINER). Five Anti-Slavery Pamphlets. New York, 1835-53.

Sammelband of antebellum anti-slavery pamphlets and periodicals, including two issues of the Anti-Slavery Examiner; a first edition of the 1853 annual report of the American & Foreign Anti-Slavery Society, which includes Frederick Douglass' powerful address arguing against the Liberia plan; a first edition of the proceedings of the 1835 New York Anti-Slavery Convention; and a 1836 first edition of the Third Annual Report of the Anti-Slavery Society. $1900.

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"A VIOLENT END TO SLAVERY… A RECKONING FOR DEEP AND DAMNING WRONGS"

SMITH, Gerrit. Speeches of Gerrit Smith. Washington, D.C. 1854.

First edition of nine major 1854 speeches by radical abolitionist Smith, together in print for the first time, featuring elemental works such as "No Slavery in Nebraska," defying Stephen Douglas' Kansas-Nebraska bill and denouncing "the federal government as a 'bastard democracy,'" very elusive in fragile original wrappers. $1850.

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"THE JEREMIAH OF THE ANTI-SLAVERY MOVEMENT"

PILLSBURY, Parker. Acts of the Anti-Slavery Apostles. Concord, N.H. 1883.

First edition of the fearless abolitionist's memoir, a distinctive presentation copy inscribed by Pillsbury to "E. E. P. with compliments of Parker Pillsbury, March 1884," Hailed as a "fighting book," it documents the bold tactics of this notorious radical who early warned America was "hastening to… a baptism of blood" and was praised by Emerson as a "tough oak stock of a man not to be silenced or insulted or intimidated," this copy also featuring a memorable association in containing the bookplate of prominent American bibliophile and activist Miriam Holden, a splendid copy in original cloth. $1800.

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"VERY PROBABLY AN END WILL SOON BE PUT TO THE PRACTICE OF TRANSPORTING SLAVES FROM AFRICA TO THE NEW WORLD"

(SLAVERY). The Interference of the British Legislature. London, 1816.

First edition of this defense of the West Indian slave trade, arguing against emancipation. $1800.

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WILLIAM JAY'S 1839 VIEW OF THE ACTION…, WORK "ON WHICH ANTISLAVERY POLITICIANS AND LAWYERS COULD MAKE THEIR STAND"

JAY, William. View of the Action… in Behalf of Slavery. New-York, 1839.

First edition of the highly influential work by William Jay, son of Founding Father John Jay, documenting the "grim" legacy of the U.S. Constitution's "guilty compromise"—with Frederick Douglass honoring Jay at his death for his dedication to "the great cause of universal freedom… a tower of strength and his pen a two-edged, sword"—especially scarce in original cloth. $1600.

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"TO MAKE THIS WHOLE LAND THE SLAVEHOLDER'S HUNTING GROUND"

(SLAVERY) SMITH, Gerrit. Substance of the Speech Made… in the Capitol. Albany, 1850.

First edition of the bold abolitionist's Speech proclaiming the Constitution "does not allow the three million of our colored countrymen to be held in slavery," a close friend of Frederick Douglass, who "openly embraced Smith's version of an antislavery interpretation of the Constitution," delivered the same decade as John Brown's Harpers Ferry raid, substantially financed by Smith. $1500.

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"A COMMANDING PRESENCE IN THE HISTORY OF THE NATION'S STRUGGLES TO OVERCOME RACIAL AND ECONOMIC JUSTICE"

(PHILLIPS, Wendell). Can Abolitionists Vote. New York, 1845.

First edition of the provocative abolitionist's fierce attack on the Constitution—proclaiming it "an irredeemably proslavery document"—declaring its legacy implicates "all Americans in the crimes of slaveholding," and caused the American flag to be weighed "heavy with blood." $1500.

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"THE FIRST SUBSTANTIAL LEGAL TREATISE ON AMERICAN SLAVERY"

(SLAVERY) STROUD, George M. Sketch of the Laws Relating to Slavery. Philadelphia, 1827.

First edition of Judge Stroud's groundbreaking 1827 work documenting state slave laws and relevant Constitutional provisions, held as a key resource for Harriet Beecher Stowe's Uncle Tom's Cabin, a cornerstone volume “considered by many the best of the ante-bellum studies" on slavery, uncut in original boards. $1350.

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A STATEMENT ON THE FEDERAL PROPERTY TAX AFFECTING SLAVE-HOLDING STATES, 1816, INCLUDING THE VALUATION OF SLAVES AS PROPERTY

(SLAVERY) DALLAS, Alexander James. Letter from the Secretary of the Treasury. Washington, 1816.

First edition of Dallas’ statement of property values on a state-by-state basis, offered pursuant to the 1813 Act that ruled slaves as directly taxable property. $1350.

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"AT THIS MOMENT THE SWORD IS PERHAPS SUSPENDED BY A SINGLE HAIR, WHICH, AT ONE STROKE, MAY DISSEVER THE UNION!"

(CIVIL WAR) PHILLIPS, Stephen C. Address on the Annexation of Texas… Slavery. Boston, 1845.

First edition of the influential Massachusetts abolitionist's fiery 1845 Address calling on James Madison and asserting the annexation of Texas will make the U.S. "government the instrument of the Slave-holding states for the perpetuation of slavery." This provocative work calling, in effect, for secession—proclaiming that if the Union cannot be maintained "upon a practical basis of equal rights and common interest… it must cease to exist!," vey scarce in original unrestored wrappers. $1200.

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"SLAVERY IN THE UNITED STATES IS UNCONSTITUTIONAL AND THEREFORE UNLAWFUL"

(SLAVERY) GRANGER, Amos P. Speech of Hon. Amos P. Granger, of New York. Washington, 1856.

First edition of this powerful 1856 congressional speech arguing that slavery was unconstitutional, both from a rights perspective and in the sense that it literally did not exist in the Constitution. $350.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
Colophon Printed note at the end of a text containing information about the printing of the book.
Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
Endpapers Extra leaves—plain, colored or decorated—with which a bookbinder covers the insides of the book’s boards, therefore not part of the actual text block. The part of the leaf pasted to the inside of the front board is the front “pastedown,” while the other part of the leaf that forms the first page of the book is the “front free endpaper”; the same applies to the rear pastedown and rear free endpaper.
Engraving Illustration produced by carving lines into a metal plate. This is an intaglio process, in which ink is poured over the plate, then wiped from the surface, leaving ink only in the recesses made by the engraver’s tools. The image is then transferred by pressing thick dampened paper against the metal plate with great force—requiring engravings to be printed on a separate stock and separate press from any text.
Errata List of mistakes and corrections noted after printing, often compiled on a separate sheet or slip and inserted into the text block.
Flyleaves Additional blank leaves following or preceding the endpapers.
Folio Book composed of sheets that are folded once and printed on both sides, making two leaves and four pages. Typically above 14 inches tall. Oblong folios are produced the same way but bound at the short edge, producing a book typically more than 14 inches deep.
Fore-Edge Edge of the book furthest from the spine. Occasionally the text of a book will be put into a specialized book press and painted, often with a scene from the book or a landscape, so that the painting is invisible when the book is closed but visible when somebody bends the text and fans the pages—known as a fore-edge painting.
Foxing Light brown spots that naturally appear on some papers due to oxidation as they age.
Frontispiece An illustration facing the title page of a book.
Gathering Single sheet of paper that has been printed and folded to form the pages required by the book’s format. A single gathering of a quarto book, then, would be a sheet folded twice, containing four leaves, eight pages of text.. Gatherings are identified by a letter, symbol or number in the lower margin of the first page (the “signature”) to make it easy for the printer to stack them in proper order for sewing.
Gilt Edges The three exposed edges of a book have been smoothed and gilded.
Half Title Leaf preceding the title page that bears the book’s title, originally used to identify the unbound text block. The book’s binder would often remove and discard the half title at the time of binding. Remaining half-titles are therefore of interest to collectors.
Illuminated Decorated by hand. Typically early printed books and especially manuscripts.
Imprint Satement of place, publisher and date of publication on a book’s title page.
Incunable From the cradle of printing, i.e., any book printed before 1501.
Issue A group of books issued by the publisher as a discrete unit. At times, issue refers to timing, such as the “first issue” being offered to the public at an earlier date than the “second issue.” At other times, it refers to specially planned different batches, such as the “trade issue” (widely available) in opposition to a “signed limited issue” (limited to a small amount of copies differing somehow from the trade issue and not widely available).
Japanese Vellum Expensive handmade paper often used in deluxe editions.
Lithograph Illustration produced by transferring an image drawn on a carefully prepared stone to paper. The process allowed illustrations to more closely resemble the original drawings, paintings or sketches, as it gave the lithographer a freedom of line impossible to achieve in earlier intaglio and relief processes. It does not require the same sort of pressure as an engraving to transfer the image, but still has to be printed on separate stock from the text
Marginalia Handwritten notes made in the margins by a previous owner.
Mispaginated Printer’s error in pagination, typically skipping, transposing or repeating page numbers. Not uncommon in older, larger books, it is not considered a defect, so long as all integral leaves are present.
Modern Recently accomplished, when used to describe a book’s binding that is not the original casing. Some books bound recently are bound using techniques, tools and styles of the period of the book’s original issue; when done well this is called a period-style binding, a term that implies “modern” as well.
Morocco Binding material made from goatskin—versatile, durable, with a distinctive pebbled texture and visible grain. Readily stretched (“straight-grain”), crushed (flattened smooth), tooled in gilt or blind, inlaid with leathers of different colors. So-called because much of the raw material originally came from the tanneries of North Africa (other types of goatskin bindings denoting regions of origin include levant, turkey, niger).
Offset The unintended transfer of ink from one printed page to an adjacent page.
Period-Style binding executed with materials, tools and techniques to approximate the look of a contemporary binding from the period of the book’s publication. The term implies that the binding is modern, or recent, unless otherwise specified.
Plate Full-page illustration printed separately from but bound with the text.
Point Variation in text, illustration, design or format that allows a bibliographer to distinguish between different editions and different printings of the same edition, or between different states or issues of the same printing.
Presentation Copy Book given as a gift by its author, illustrator or publisher. Sometimes refers to a volume given by a notable donor.
Provenance History of a particular copy of a book.
Raised Bands Horizontal protruding strips found on the spine of a book.
Reback To supply a worn binding with a new spine, usually made of the same material as the rest of the binding and decorated to match. When feasible the binder may preserve the original spine and affix it to the new material, described as “rebacked with the original spine laid down.”
Recase To reattach a text block to its binding when it has become loose from its covers.
Recto The front side of a leaf. The back side is known as the “verso.”
Trade Edition Printing or printings of a book made available for purchase by the general public on publication day (as opposed to a limited edition, often available only by subscription).
Uncut When the edges of the text block (most apparent at the fore and lower edges) have not been trimmed to a uniform size, and are therefore characterized by a ragged or deckle edge. A book may be uncut but opened—i.e., with a paper-knife—but all unopened books (see below) are by nature uncut as well.
Unopened When the folds of the sheets of paper making up the text block have not been trimmed away or opened with a paper-knife. While this makes it impossible to read all of the pages, it also indicates a probability that the text block has not been altered since leaving the printer.
Vellum Binding material made from specially treated calfskin—durable, with a distinctive ivory color and smooth appearance. Can be tooled in gilt or blind. So-called Japan vellum (or Japon) is a type of thick paper that has been polished smooth and given a glossy finish to resemble vellum.
Verso The back or reverse side of a leaf or page. (See “recto.”)
Woodcut Illustration or textual decoration made by cutting away from the surface of a block of wood until the reverse of the image is left in relief; this is then inked and pressed to the paper to leave the image. The woodblock, or multiple blocks, can be fit into the page along with the type, allowing text and illustrations to be printed in the same print run and share the same page (not possible with engravings, which require thicker, damp paper and much more force; nor with lithographs, which require a different printing process altogether). Woodcuts preceded moveable type and are the earliest known printing technology.
Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
Wrappers Paper coverings—plain, marbled or printed—attached by stitches, staples or glue to a text block to identify it and afford it some protection (though much more fragile than a binding in plain, cloth or leather-covered boards). More typical of slim and/or inexpensive volumes such as pamphlets. “Self wrappers” are leaves, blank or printed, that are integral to the text block, conjugate with other leaves and from the same stock. “Original wrappers,” those attached at the time of issue, are scarce and extremely desirable to most collectors.