Essay on the Principle of Population - Thomas Robert Malthus - Bauman Rare Books

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Essay on the Principle of Population

Thomas Robert MALTHUS

Item#: 85612 We're sorry, this item has been sold

Essay on the Principle of Population

Essay on the Principle of Population

“ONE OF THE FOUNDERS OF MODERN ECONOMICS”: IMPORTANT FIRST EXPANDED EDITION OF MALTHUS ON POPULATION, 1803

MALTHUS, T[homas] R[obert]. An Essay on the Principle of Population; or, a View of its Past and Present Effects on Human Happiness; with an Inquiry into our Prospects Respecting the Future Removal or Mitigation of the Evils which it Occasions. London: for J. Johnson by T. Bensley, 1803. Quarto, period-style full green straight-grain morocco, elaborately gilt-decorated spine and boards, raised bands, marbled endpapers.

Second and greatly expanded edition, the first to carry Malthus’ name, of one of the landmark works in economics—four times larger than the first edition and extremely important. Beautifully bound.

This 1803 edition, the first with Malthus' name, was four times larger than the first: "practically a new book" (Osler 1297). "Malthus was one of the founders of modern economics. His Essay was originally the product of a discussion on the perfectibility of society with his father, [who] urged him to publish. Thus the first edition (published anonymously) was essentially a fighting tract, but later editions were considerably altered and grew bulkier as Malthus defended his views against a host of critics… The Essay was highly influential in the progress of thought in early 19th-century Europe [and] his influence on social policy was considerable… Both Darwin and Wallace clearly acknowledged Malthus as a source of the idea of 'the struggle for existence" (PMM 251). "In 1803 Malthus published under his own name the stout quarto that embodies his mature views of his subject. The author confesses in his preface that he had taken too gloomy a view of human nature in his first essay… The achievement of Malthus was the exposition of the theory of population; and his name has been associated so closely with this theory that, like Darwin's, it has added a new adjective to the language of civilized peoples" (Palgrave II:670-1). The first edition was published in 1798. Garrison & Morton 1693. Kress B4701.

Interior generally fresh, title page expertly cleaned. An about-fine copy, beautifully bound.

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MALTHUS, Thomas Robert >

Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
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Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
Colophon Printed note at the end of a text containing information about the printing of the book.
Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
Endpapers Extra leaves—plain, colored or decorated—with which a bookbinder covers the insides of the book’s boards, therefore not part of the actual text block. The part of the leaf pasted to the inside of the front board is the front “pastedown,” while the other part of the leaf that forms the first page of the book is the “front free endpaper”; the same applies to the rear pastedown and rear free endpaper.
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Half Title Leaf preceding the title page that bears the book’s title, originally used to identify the unbound text block. The book’s binder would often remove and discard the half title at the time of binding. Remaining half-titles are therefore of interest to collectors.
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Incunable From the cradle of printing, i.e., any book printed before 1501.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
Lithograph Illustration produced by transferring an image drawn on a carefully prepared stone to paper. The process allowed illustrations to more closely resemble the original drawings, paintings or sketches, as it gave the lithographer a freedom of line impossible to achieve in earlier intaglio and relief processes. It does not require the same sort of pressure as an engraving to transfer the image, but still has to be printed on separate stock from the text
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Morocco Binding material made from goatskin—versatile, durable, with a distinctive pebbled texture and visible grain. Readily stretched (“straight-grain”), crushed (flattened smooth), tooled in gilt or blind, inlaid with leathers of different colors. So-called because much of the raw material originally came from the tanneries of North Africa (other types of goatskin bindings denoting regions of origin include levant, turkey, niger).
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Period-Style binding executed with materials, tools and techniques to approximate the look of a contemporary binding from the period of the book’s publication. The term implies that the binding is modern, or recent, unless otherwise specified.
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Uncut When the edges of the text block (most apparent at the fore and lower edges) have not been trimmed to a uniform size, and are therefore characterized by a ragged or deckle edge. A book may be uncut but opened—i.e., with a paper-knife—but all unopened books (see below) are by nature uncut as well.
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Vellum Binding material made from specially treated calfskin—durable, with a distinctive ivory color and smooth appearance. Can be tooled in gilt or blind. So-called Japan vellum (or Japon) is a type of thick paper that has been polished smooth and given a glossy finish to resemble vellum.
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