Gloria: Ozalid Manuscript - Signed - Igor Stravinsky - Bauman Rare Books

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Gloria: Ozalid Manuscript

Igor STRAVINSKY

Item#: 32262 We're sorry, this item has been sold

Gloria: Ozalid Manuscript

SIGNED AND INSCRIBED BY STRAVINSKY TO FRENCH COMPOSER MARCELLE DE MANZIARLY

STRAVINSKY, Igor. Gloria [from the Mass]. [No place: Copyright 1945 by Igor Stravinsky]. Quarto, eleven leaves of ozalid manuscript.

Pre-publication ozalid (printed) manuscript score of Stravinsky’s Gloria, the second movement of the composer’s Mass. Signed and inscribed by Stravinsky to French composer Marcelle de Manziarly: “Pour Marcelle de Manziarly avec mes fidèles pensées. I. Stravinsky, 10 Sept. 1945.

Sometime around 1942, after coming across a few Mozart masses in a second-hand music store in Los Angeles, Stravinsky began to contemplate the idea of writing such a work himself. “As I played through these rococo-operatic sweets-of-sin,” Stravinsky wrote, “I knew I had to write a Mass of my own, but a real one” (White, 407). By a “real one,” Stravinsky meant a Roman Catholic Mass that could be used liturgically. The first two movements, Kyrie and Gloria, were written in 1944. The remaining three, Credo, Sanctus, and Agnus Dei were composed in 1947 and 1948. The first performance was given at La Scala in Milan, October 1948. Although the full score was first published by Boosey & Hawkes in 1948, this ozalid manuscript was prepared much earlier, circa 1945. (The ozalid printing process is a method of copying page proofs from paper or film, or in this case, the fair copy of Stravinsky’s manuscript score.). See De Lerma M1. Marcelle de Manziarly (1899-1989), to whom Stravinsky has inscribed this copy, is best known for her Sonate pour Notre-Dame de Paris, an orchestral piece inspired by the liberation of the French capital in 1944.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
Colophon Printed note at the end of a text containing information about the printing of the book.
Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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