Three Contributions to the Sexual Theory First Edition - Sigmund Freud - Bauman Rare Books

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Three Contributions to the Sexual Theory

Sigmund FREUD

Item#: 108559 We're sorry, this item has been sold

Three Contributions to the Sexual Theory

Three Contributions to the Sexual Theory

"SECOND ONLY TO THE INTERPRETATION OF DREAMS IN ITS IMPORTANCE TO FREUDIAN THEORY"

FREUD, Sigmund. Three Contributions to the Sexual Theory. New York: Journal of Nervous and Mental Disease, 1910. Octavo, modern full green morocco gilt, marbled endpapers.

First edition in English of Freud's essays on infantile sexuality and human psychosexual development.

Three Essays is "second only to the Interpretation of Dreams in its importance to Freudian theory. The work sets forth Freud's theory of infantile sexuality and psychosexual development, in which he postulated the existence of infantile erogenous zones, stated that an infant's first sexual objects are its parents, and described the four stages of human sexual development: oral, anal, phallic and genital. That infants and children experience sexual feelings had long been observed by parents and nursemaids, yet the analysis of this delicate subject in a scientific treatise centered Freud in a storm of criticism that has not yet fully abated" (Norman F55). The essays include "The Sexual Aberrations," "Infantile Sexuality," and "The Transformations of Puberty." First published in German in 1905; this authorized translation is by A.A. Brill, one of the pioneers in introducing Freud to America. Published as the seventh item in the Nervous and Mental Disease Monograph series. Grinstein 79.

Light foxing and a few minor stains to interior. A very good copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
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Morocco Binding material made from goatskin—versatile, durable, with a distinctive pebbled texture and visible grain. Readily stretched (“straight-grain”), crushed (flattened smooth), tooled in gilt or blind, inlaid with leathers of different colors. So-called because much of the raw material originally came from the tanneries of North Africa (other types of goatskin bindings denoting regions of origin include levant, turkey, niger).
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Woodcut Illustration or textual decoration made by cutting away from the surface of a block of wood until the reverse of the image is left in relief; this is then inked and pressed to the paper to leave the image. The woodblock, or multiple blocks, can be fit into the page along with the type, allowing text and illustrations to be printed in the same print run and share the same page (not possible with engravings, which require thicker, damp paper and much more force; nor with lithographs, which require a different printing process altogether). Woodcuts preceded moveable type and are the earliest known printing technology.
Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
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