Ego and the Id First Edition - Sigmund Freud - Bauman Rare Books

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Ego and the Id

Sigmund FREUD

Item#: 110232 We're sorry, this item has been sold

Ego and the Id

"MODERN PSYCHIATRY BEGAN WITH FREUD": FIRST EDITION IN ENGLISH OF THE EGO AND THE ID, 1927, PRINTED BY VIRGINIA AND LEONARD WOOLF AT THE HOGARTH PRESS

FREUD, Sigmund. The Ego and the Id. London: Hogarth Press, 1927. Octavo, modern full blue straight-grain morocco gilt, red paneled morocco inlays, raised bands, marbled endpapers, uncut.

First edition in English of one of Freud's most famous works, at the core of his revolutionary effort to define "'a general psychology' that reached beyond the world of neuroses" (New York Times), issued by Virginia and Leonard Woolf's Hogarth Press.

"Modern psychiatry began with Freud… [His] revolutionary theory of human personality… made him, in a few short years, one of the most controversial figures in history." To biographer Peter Gay, Freud's The Ego and the Id and his Beyond the Pleasure Principle (1920) were central to defining "'a general psychology' that reached beyond the world of neuroses to that of 'normal mental activity" (New York Times). "In early March 1924 the Woolf's moved to 52 Tavistock Square and installed the Hogarth Press in the large basement there. At about this same time James Strachey asked Leonard and Virginia, on behalf of Dr. Ernest Jones, if the Press would publish the International Psycho-Analytical Library, including Freud's Collected Papers" (Orr, Virginia Woolf and Freud). The Hogarth Press "became the authorized publisher for Sigmund Freud in England and was the first to make psychoanalytic theory available in English. Under the general editorship of Dr. Jones, the Hogarth Press published 27 of the Institute's papers between 1924 and 1946," including this first edition in English of The Ego and the Id (University of Delaware). Initially issued in German in 1923. No. 12 in The International Psycho-Analytical Library, edited by Ernest Jones. Translation into English by Joan Riviere. With advertisement page at rear. Grinstein 121. Owner signature above title page.

Text fresh and crisp. Beautifully bound.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
Association Copy copy that belonged to someone connected with the author or the contents of a book.
Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
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Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Morocco Binding material made from goatskin—versatile, durable, with a distinctive pebbled texture and visible grain. Readily stretched (“straight-grain”), crushed (flattened smooth), tooled in gilt or blind, inlaid with leathers of different colors. So-called because much of the raw material originally came from the tanneries of North Africa (other types of goatskin bindings denoting regions of origin include levant, turkey, niger).
Offset The unintended transfer of ink from one printed page to an adjacent page.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
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