21 Photographs First Edition - Thomas Eakins - Bauman Rare Books

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Bauman Rare Books

21 Photographs

Thomas EAKINS

Item#: 102190 We're sorry, this item has been sold

21 Photographs

21 Photographs

21 Photographs

"IN PURSUANCE OF MY BUSINESS AND PROFESSIONAL STUDIES, I USE THE NAKED MODEL" (THOMAS EAKINS): LIMITED FIRST EDITION OF 21 PHOTOGRAPHS, ONE OF ONLY 200 COPIES

EAKINS, Thomas. 21 Photographs. Atlanta: Olympia Galleries, 1979. Tall quarto, original half brown morocco, marbled boards, original slipcase.

Limited first edition, number 67 of only 200 copies, featuring 21 tipped-in photographic prints from original prints made by Eakins while at the Pennsylvania Academy of Fine Arts—including eleven images never before published—a beautiful copy.

"In 1883, the year in which these images were made, proper Philadelphians still resisted having nude models in their Academy. Students had to content themselves with studying and working from cold and lifeless classical sculpture. As a result of his earlier study in Paris, Eakins believed that in order to draw the human figure, one should study from a live model and he began to introduce the nude to his classes… While many of these photographs were used as studies for his major painting, most of the compositions are finished works of art… This collection is an aid to understanding more clearly the sensitive eye of Eakins and his need to seek truth in his subject matter. With these photographs, Eakins and his students had a source they could continuously refer to for anatomical facts rather than trust memory, which had been the case until his experiments with the camera" (Seraphin). With 21 photographic prints by Joseph Byrd of Eakins' photographs: seven in Group I, "Models in Greek Costume", five in Group II, "Studio Nudes," and nine in Group III, "Arcadian Studies"—including three related to his famous painting, "The Swimming Hole." Featuring eleven images that are "believed unknown to current scholarship and have not been previously published," including all five images in "Studio Nudes" and three nude studies in "Arcadian Studies." Appendix with correspondence by Eakins concerning his resignation from the Philadelphia Academy of Fine Arts. Edited by Elizabeth Kerr. Foreword by Joseph A. Seraphin of Olympia Galleries, and Introduction by Seymour Adelman. Book designed by Bruce Rogers.

A fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Errata List of mistakes and corrections noted after printing, often compiled on a separate sheet or slip and inserted into the text block.
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Incunable From the cradle of printing, i.e., any book printed before 1501.
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Japanese Vellum Expensive handmade paper often used in deluxe editions.
Lithograph Illustration produced by transferring an image drawn on a carefully prepared stone to paper. The process allowed illustrations to more closely resemble the original drawings, paintings or sketches, as it gave the lithographer a freedom of line impossible to achieve in earlier intaglio and relief processes. It does not require the same sort of pressure as an engraving to transfer the image, but still has to be printed on separate stock from the text
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Morocco Binding material made from goatskin—versatile, durable, with a distinctive pebbled texture and visible grain. Readily stretched (“straight-grain”), crushed (flattened smooth), tooled in gilt or blind, inlaid with leathers of different colors. So-called because much of the raw material originally came from the tanneries of North Africa (other types of goatskin bindings denoting regions of origin include levant, turkey, niger).
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