In Julia's Kitchen with Master Chefs - First Edition - Signed - Julia Child - Bauman Rare Books

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In Julia's Kitchen with Master Chefs

Julia CHILD

Item#: 106574 We're sorry, this item has been sold

In Julia's Kitchen with Master Chefs

In Julia's Kitchen with Master Chefs

“BON APPÉTIT”: FIRST EDITION OF IN JULIA’S KITCHEN WITH MASTER CHEFS, INSCRIBED BY JULIA CHILD

CHILD, Julia. In Julia's Kitchen with Master Chefs. New York: Alfred A. Knopf, 1995. Quarto, original tan and white laminated paper boards, original dust jacket.

First edition of Julia Child's illustrated celebration of American cuisine, with recipes and insights from Child and 26 master chefs, inscribed on the half title by her, "Bon Appétit to Ron, Julia Child."

In Julia's Kitchen with Master Chefs is "special—one of those rare books packed with information that's a pleasure to read… It's as rare to capture a mood in a book as it is for a writer to be able to write the way he or she speaks. Look, for instance, at the notes from Julia to the cook about aspects of a chef's menu that caught her interest, whether it be sweetbreads (yes, you should try cooking them) or veal (she likes it pink and classic, not 'baby beef') or 'garlic lore and handling tips.' They ring with that authoritative, infinitely useful voice every American cook treasures…. What's more, In Julia's Kitchen gives you a warm, familial sense of being on the set and right there with Julia and her [26] guest cooks—a group of cooks from all over the country who really care about what they're doing and produce food that the home cook can cook, too" (Atlantic). Published in conjunction with the 1995 PBS special of the same name. With "First Edition" on copyright page. Co-authored with Nancy Verde Barr, photographs by Micheal McLaughlin.

A fine copy, scarce inscribed.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
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Woodcut Illustration or textual decoration made by cutting away from the surface of a block of wood until the reverse of the image is left in relief; this is then inked and pressed to the paper to leave the image. The woodblock, or multiple blocks, can be fit into the page along with the type, allowing text and illustrations to be printed in the same print run and share the same page (not possible with engravings, which require thicker, damp paper and much more force; nor with lithographs, which require a different printing process altogether). Woodcuts preceded moveable type and are the earliest known printing technology.
Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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